Abstractions

I've been feeling a little un-motivated to do any serious photography lately. Last night I decided to change that. After looking at some of the work of my photography friends, I pulled out the lensbaby and played for awhile.

As with anything, sometimes my ideas come from random comments from my friends. My friend Nancy got a scanner. My friend John commented on some of the amazing scanner art out there these days. I have a scanner so I googled "scanner art" and found a lot of flowers. I really wasn't in the mood to photograph flowers (sometimes I am but not right now). But then I saw a shot of a slinky. It may actually not have been a scanner shot of a slinky. Hey, I have a slinky. A slinky needs to be shot with a macro lens. What is the minimum shooting distance of my macro lens (12 inches)? of my Nifty Fifty (18 inches)? of my Lensbaby (9 inches)? of my Lensbaby with macro attachments (2-3 inches)? Hmmmmm.



Click on the image to see it larger on your screen.

This shot is my slinky shot with my Lensbaby (no macro filter) - tweaked in Lightroom and Photoshop (Topaz Simplify filter and then the Filter Gallery in CS3). I absolutely love the color!!!

Happy New Year All!!!

Getting Out There With New Toys

Thanksgiving Weekend. It is so easy to sit at home and gorge oneself on left over turkey and stuffing and pumpkin pie ... OR ... get out there and shoot some images. My husband was otherwise occupied so I had an hour or two to get away to a local park ... Walney Pond. I've started coming here at all seasons. How the pond changes ...

Today I also had a new toy to play with ... my plastic Diana extra wide angle lens. The plastic Diana cameras were known for their dreamy effects. It didn't really know what to expect now that I could mount this "toy" lens to my DSLR. Now I know.
When I was last here - in summer - there were more people around ... fishing, walking, playing ... today, there were just a few and the park seemed so alone. This shot was taken with my 105 mm macro lens (though not a macro shot) since the toy lens is not for every shot - and then I processed it with Topaz Simplify for that "artsy" look.

See you soon.

Creative Choices

Sometimes the creative choice comes in shooting the image. Sometimes it comes in processing the image. Sometimes it is about "what you see is what you get" - the literal image captured by your camera. And sometimes it is about using the tools to show your vision - however (and whenever) that vision hits you.

In yesterday's blog post, I opted to process the Dream for Sale image using a couple layers of Topaz Simplify to "art it up." After a comment by my son, Joe, a very creative artist in his own right, I looked at the image again and decided that I didn't really like what I had done at all. So it was back to the drawing board for a new take on "Dream for Sale." What do you think? This version is a little more literal - yet still with a slight dream like quality.

And here is the actual Dream that is for sale - an old roller rink:

Another creative choice that I love is the swoosh also know as the swipe. In this technique you pan your camera while depressing the shutter to get the essence of the colors of the scene. This is usually best done around sunrise or sunset to take advantage of the lower light so you can make a longer exposure (6th to an 8th of a second) so you don't blow out your image. This swoosh was made at the Snow Goose Pond at Chincoteague National Wildlife Area around sunset. The massive flocks of birds were not where we were but the colors called to be swooshed. And so I obliged them.

Finally, last creative choice for this blog entry. On my last couple of photo trips, I have fallen in love with my fisheye lens (the Nikon 10.5 mm). When I first got it, although I was excited about it, I wasn't feeling the love so much. But now I have found a use for it. Old falling down buildings take on an interesting persona via the fisheye. And when I combine the fisheye image with processing in Topaz Simplify to "art it up," I just love the results. This house/barn/whatever was along the main highway (Rt. 13 I think) heading down through the eastern shore of Virginia. I saw it and made a U turn so that I could stop and shoot it for a while. I wonder what people think as they see a lone photographer stalking abandoned buildings with a tripod.

I recently got the fisheye optic for my lensbaby - yet another creative choice. I have not figured out exactly how to best use this optic but I am having more fun with my lensbaby since I got The Composer version. Watch for lensbaby images coming to my blog sometime soon. Perhaps the next post even.

Dream for Sale

I went to the eastern shore area of Virginia this past weekend - to Chincoteague. I had a dream to find that perfect image. My dreams don't always come true. Sometimes the perfect image just isn't there. Sometimes the image that I thought was perfect, WASN'T ... and the image that I thought was not so good, WAS. Sometimes the dream is for sale ... or so the sign says. I saw this sign and the "Dream" that was for sale when I was driving into Chincoteague on Friday evening. I knew that I would stop on my way out. I processed this shot in Photoshop CS3 and filtered 2 layers using Topaz Simplify.

On Saturday afternoon when the light was high and harsh, it was hard to find ideal images. Perhaps we should have taken a nap. But we didn't. Instead we drove to the end of the island and found this dock ... among other things (watch for more of the "other" things coming soon). This image was a B&W conversion - thought it didn't need that much tweaking since it was close to B&W to begin with.

On my way home, I took a long detour via the Chesapeake Bay Bridge Tunnel. It is an amazing marvel. I also took this shot when the light was high and harsh. Sometimes these images work. Sometimes not. I think it worked this time. Interestingly, while I did a little processing in CS3 and Topaz Adjust, the color of this image was not changed. It just came out this way.

As always, click on any image in the blog to see it larger.

Well, watch the blog for more of my Chincoteague images. I shot over 800. Yikes, I could be at the computer a while.

Pumpkin Pup

Pumpkin Pup, originally uploaded by Nadia McIlhany.

I was dying to photograph some fall colors so on Sunday, I went out with a friend and her 2 boys for some apple orchard fun. The apples were almost done but there was fun to be had in the pumpkin patch. This little guy thought so. He was so excited to have people come and pay attention to him. I barely got a shot of him - he just wouldn't stay still.

City Stuff

While in NYC for work, I've had the chance to get some shooting done. This was the shot of my hotel, the Embassy Suites WTC, and the Irish Hunger Memorial, last night.

I took a walk before breakfast and starting work this morning. Although it wasn't raining during my walk, it had been raining earlier and the water droplets were on the overhang on the entrance to my hotel. I saw it and pulled at the camera for one last shot for the day.

I thought that it might also look good in B&W. Which do you like better?

Hunger

I'm in NY for work and the Irish Hunger Memorial is across the street from my hotel. Here are some images that I captured yesterday morning and last night - before and after work. These were shot with my 50 mm f/1.8 lens - the "nifty fifty." I have one more day of my "Nifty Fifty" challenge and then I can change lenses. Hopefully I will have time for some more shooting while I'm here. This memorial is full of shooting possibilities so I will probably return.

Everything Old is New Again

To prove that I actually listen when I go on photo workshops, this week I went back to some images that I shot back in May and looked at them with a fresh eye. I shot these three images on an HDR workshop taught by my friend and mentor, John Barclay. I love going on workshops because I get to play with my friends and meet new friends - which I did on this particular workshop.


In on of my recent postings, I described HDR photography really badly. I will try to redeem myself in this post.

When we see - with our eyes - we see a wide range of light and dark areas of a scene. For instance, when we are inside a building, looking out a window, we see the inside of the window - the sill, the frame, the walls around it - and we also see the outside scene - the lovely rolling countryside. When we try to take a picture of that same scene, in our photos, we will see either the outside scene and the inside will be dark - all the details lost - OR we will see the inside scene and the outside seen will be "blown out" (too bright) - all the details lost. That is because while our eyes can see and process a range of exposures, our cameras can't. Of course not unless we do something special. That "special" technique is called HDR Photography or high dynamic range photography. When using this technique we take several shots of the same scene and blend them together in a photo processing software of some kind. We take shots where the darks are not too dark and show detail and we take shots where the brights are not too bright and show detail. And after blending them together, we have an image that is closer to what we saw with our eyes. This is what I have done in these shots. I have shot anywhere from 3-5 images, at different exposures, and have blended them together.

I also tweaked some color and contrast and "artified" the images using one of the Topaz plug-ins for Photoshop until I liked what I got - but that is the subject of another post.

The HDR technique is generally done with the camera on a tripod - although it can be done (more difficult) hand holding the camera. I used a tripod for these images.

Eastern State Penitentiary - the abandoned cells seem so forgotten!!!

Fonthill.

I'm heading to NYC for work for several weeks. I don't know if I'll be able to shoot while I am there. Or if I am able to shoot, if I will be able to process any images in any meaningful way. We'll see.

New Lensbaby

My new Lensbaby Composer came yesterday. Much easier to use than my Lensbaby 3G but I still need to practice. Here are a few images shot from my front stoop. There is nothing special in the processing other than the mid-contrast pop with the Unsharp Mask filter (20-50-0). These were shot in manual mode at f2.0 - I think at 125th of a second.

HDR HDR HDR

This blog post features images from my Eastern Shore workshop shot for and processed using HDR - High Dynamic Range. In this technique, you take multiple images of the same scene that each capture a different aspect of the exposure range in the scene and then you blend the images together ... and also play with some of the tones. OK, not such a great description of the technique. It is late and I want to get this posted before hitting the hay. I'll do better next time.

Click on any image to see it a little larger.

These first three images were taken at an old, falling down house. It is the perfect subject for HDR with a slight grunge look and some super color saturation.


I was feeling somewhat uninspired at this location until I pulled the fisheye out. Bingo - INSPIRATION!!!
This shot was taken at night. A challenge. I'm thinking that a dusk shot would be better. I guess that I have to head back to St. Michaels!!!

HDR can also be converted to B&W. This is one of my first attempts at a B&W HDR image. This shot was taken in the boat building shop at the Maritime Museum in St. Michaels.